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The Santa Cruz Sentinel "Cultural Council Elects Directors"
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Title
The Santa Cruz Sentinel "Cultural Council Elects Directors"
Created Date
July 11th, 1981
Description
The Santa Cruz Sentinel article, not credited, "Cultural Council Elects Directors" reports on nine new board members and the re-election of eight board members including Ralph D'Oliveira. Other notable names include Felix Robles, Tino Esparza, Jean Houston, as well as Joe Crosetti and Dick Shaw.
Ralph D'Oliveira has painted more than 100 murals in California and abroad during his 40+ year career as a muralist. He has done dozens of projects with schools and school children. In 1975-76, Carmen León, Ralph D'Oliveira, and Guillermo (Yermo) Aranda were involved with a grassroots arts center, the Academia de Arte Chicano de Aztlán, painting some of the first murals in Watsonville. Eduardo Carrillo was the center's advisor and one of the teachers. The Tortuga Patrol was organized by Ralph D'Oliveira and Ray Romo and was part of the Academia. They created the Tecolote Corps, comprised of student artists and guided by the Tortuga Patrol. In 2013, Ralph traveled to Norway to do a mural project in Trondheim. He coordinates his projects collaboratively with neighbors and students in schools. He views all these projects as a way to build community. Ralph draws on his multicultural background incorporating native Chumash and Mexican roots. He is a muralist, educator, community arts organizer and co-founder of the Tortuga Patrol.
Eduardo Carrillo (1937-1997) was considered a pioneer as a Chicano artist in the early 1960s. He was a prominent muralist, painter, and professor of art at University of California, Santa Cruz who inspired generations of newly arrived Latino/a/x students. In 1982, Carrillo spearheaded an initiative to take stock of the influence of the Chicano Movement. His effort resulted in the pioneering "Califas: Chicano Art and Culture in California" conference at UCSC which brought together Chicano/a/x artists, historians, leading thinkers and social instigators to take stock of the influence of El Movimiento. Almost forty years later, Museo Eduardo Carrillo's Califas Legacy Project brought together Carmen León, Ralph D'Oliveira, Guillermo (Yermo) Aranda, and Amalia Mesa-Bains and other influential Monterey Bay Crescent Chicano/a/x artists to share their art, reflect on their lives in Califas, and fill in a missing piece of American art history.
Ralph D'Oliveira has painted more than 100 murals in California and abroad during his 40+ year career as a muralist. He has done dozens of projects with schools and school children. In 1975-76, Carmen León, Ralph D'Oliveira, and Guillermo (Yermo) Aranda were involved with a grassroots arts center, the Academia de Arte Chicano de Aztlán, painting some of the first murals in Watsonville. Eduardo Carrillo was the center's advisor and one of the teachers. The Tortuga Patrol was organized by Ralph D'Oliveira and Ray Romo and was part of the Academia. They created the Tecolote Corps, comprised of student artists and guided by the Tortuga Patrol. In 2013, Ralph traveled to Norway to do a mural project in Trondheim. He coordinates his projects collaboratively with neighbors and students in schools. He views all these projects as a way to build community. Ralph draws on his multicultural background incorporating native Chumash and Mexican roots. He is a muralist, educator, community arts organizer and co-founder of the Tortuga Patrol.
Eduardo Carrillo (1937-1997) was considered a pioneer as a Chicano artist in the early 1960s. He was a prominent muralist, painter, and professor of art at University of California, Santa Cruz who inspired generations of newly arrived Latino/a/x students. In 1982, Carrillo spearheaded an initiative to take stock of the influence of the Chicano Movement. His effort resulted in the pioneering "Califas: Chicano Art and Culture in California" conference at UCSC which brought together Chicano/a/x artists, historians, leading thinkers and social instigators to take stock of the influence of El Movimiento. Almost forty years later, Museo Eduardo Carrillo's Califas Legacy Project brought together Carmen León, Ralph D'Oliveira, Guillermo (Yermo) Aranda, and Amalia Mesa-Bains and other influential Monterey Bay Crescent Chicano/a/x artists to share their art, reflect on their lives in Califas, and fill in a missing piece of American art history.
Creators and Contributors
Creator:
Unknown
Subject Topic
Spatial Coverage
Language
Media Type
Format
Article
Extent
1
File
Dimensions
8.5
x
11
in
Generation
Copy
Copyright Statement
Copyrighted. Rights are owned by Ralph D'Oliveira. Copyright Holder has given Institution permission to provide access to the digitized work online. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user.
Country of Creation
United States
Contributing Organization
Internet Archive (External)